{"id":8752,"date":"2013-07-16T19:04:10","date_gmt":"2013-07-16T17:04:10","guid":{"rendered":"https:\/\/frank-lovisolo.fr\/WordPress\/?page_id=8752"},"modified":"2026-10-16T07:46:54","modified_gmt":"2026-10-16T05:46:54","slug":"un-peu-comme-une-sur-estampe","status":"publish","type":"post","link":"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/","title":{"rendered":"Un peu comme une sur estampe"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 ez-toc-wrap-left-text counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<label for=\"ez-toc-cssicon-toggle-item-6ae8381ee3da1\" class=\"ez-toc-cssicon-toggle-label\"><p class=\"ez-toc-title\" style=\"cursor:inherit\">Table des mati\u00e8res<\/p>\n<span class=\"ez-toc-cssicon\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6ae8381ee3da1\" checked \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#inspiration-estampillee-a-tendance-peu-ou-prou-japonaise%e2%80%a6\" >Inspiration estampill\u00e9e \u00e0 tendance peu ou prou japonaise&#8230;<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#le-cauchemar-du-mari-de-lama\" >Le cauchemar du mari de l\u2019Ama<\/a><\/li><\/ul><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#lestampe-definition-techniques-et-etymologie\" >L&rsquo;estampe : d\u00e9finition, techniques et \u00e9tymologie<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#lestampe-reproductibilite-materialite-et-statut-de-loeuvre\" >L\u2019estampe : reproductibilit\u00e9, mat\u00e9rialit\u00e9 et statut de l\u2019\u0153uvre<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#lestampe-japonaise-ukiyo-e-entre-culture-visuelle-et-modernite-artistique\" >L\u2019estampe japonaise (ukiyo-e) : entre culture visuelle et modernit\u00e9 artistique<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#bibliographie-et-ressources\" >Bibliographie et ressources<\/a><ul class='ez-toc-list-level-3' ><li class='ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#reproductibilite-original-et-empreinte\" >Reproductibilit\u00e9, original et empreinte<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#estampe-ukiyo-e-et-hokusai\" >Estampe, ukiyo-e et Hokusai<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#japonisme-et-modernite-occidentale\" >Japonisme et modernit\u00e9 occidentale<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-3'><a class=\"ez-toc-link ez-toc-heading-10\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/#esthetique-japonaise-mono-no-aware\" >Esth\u00e9tique japonaise : mono no aware<\/a><\/li><\/ul><\/li><\/ul><\/nav><\/div>\n<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Reading Time: <\/span> <span class=\"rt-time\"> 7<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span><div><\/div>\n<p style=\"text-align: center;\">L\u2019estampe num\u00e9rique, apr\u00e8s la gravure sur bois \u00e0 l\u2019ukiyo-e japonais :<br \/>\nhistoire, techniques, reproductibilit\u00e9 et regard sur Hokusai, le mont Fuji et le japonisme.<\/p>\n<div><\/div>\n<table style=\"width: 100%;\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 33%; text-align: right; vertical-align: middle;\">\n<div style=\"text-align: center;\"><strong><span style=\"font-size: 16px;\"><span style=\"font-size: 14px;\">Suggestion d&rsquo;\u00e9coute :\u00a0<\/span><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/zong-bing\/\">Zong Bing<\/a><br \/>\n<\/span><\/strong><\/div>\n<\/td>\n<td style=\"width: 34%; text-align: right; vertical-align: middle;\">\n<div><a href=\"https:\/\/frankcesarlovisolo.bandcamp.com\/track\/zong-bing\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-51127\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank.png\" alt=\"\u00c9couter Zong Bing de Frank C\u00e9sar Lovisolo sur Bandcamp\" width=\"303\" height=\"25\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank.png 400w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank-250x21.png 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank-150x12.png 150w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><\/a><\/div>\n<\/td>\n<td style=\"width: 33%; text-align: left; vertical-align: middle;\"><a href=\"#com\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-15068 size-full aligncenter\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/06\/ComBleu.jpg\" alt=\"Acc\u00e9der aux commentaires\" height=\"15\" title=\"-\"><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 100%;\" cellpadding=\"10\">\n<tbody>\n<tr style=\"height: 185px;\">\n<td style=\"height: 185px;\">\n<p style=\"text-align: center;\"><strong><span style=\"font-size: 18px;\">&#8230;tout repose sur l&rsquo;intervention de l&rsquo;imaginaire dont l&rsquo;action est de transmuer le sentiment en r\u00e9flexion et, par-del\u00e0, en m\u00e9ditation&#8230;<\/span><\/strong><\/p>\n<p style=\"text-align: center;\"><span style=\"font-size: 18px;\">(Cela dit, apr\u00e8s tout, faites ce que vous voulez !)<\/span><\/p>\n<\/td>\n<\/tr>\n<tr style=\"height: 100px;\">\n<td style=\"text-align: center; height: 96px;\"><div class=\"flagallerywraper\" style=\"text-align:center;\"><div class=\"flagallery flaslider_skin\" 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height=\\\"760\\\"\",\"bits\":8,\"channels\":3,\"mime\":\"image\\\/jpeg\"}}}]}], };})();<\/script><\/div><\/div><noscript id=\"noscript_FlaGallery_sc1_29\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n001.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n002.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n003.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n004.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n005.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n006.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n007.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n008.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n009.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n010.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n011.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n012.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n013.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/un-peu-comme-une-estampe\/un-peu-comme-une-sur-estampe-n014.jpg\" alt=\"\" title=\"-\"><\/noscript><\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-53716 aligncenter\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png\" alt=\"&quot;&quot;\" width=\"460\" height=\"18\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-1024x40.png 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-768x30.png 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-250x10.png 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-150x6.png 150w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png 1200w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/td>\n<\/tr>\n<tr style=\"height: 790px;\">\n<td style=\"text-align: justify; height: 790px;\">\n<h2 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"inspiration-estampillee-a-tendance-peu-ou-prou-japonaise%e2%80%a6\"><\/span><strong><span style=\"font-size: 20px;\">Inspiration estampill\u00e9e \u00e0 tendance peu ou prou japonaise&#8230;<\/span><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div style=\"width: 572px\" class=\"wp-caption alignleft\"><a title=\"Apr\u00e8s Katsushika Hokusai, Public domain, via Wikimedia Commons\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:The_Great_Wave_off_Kanagawa.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/0a\/The_Great_Wave_off_Kanagawa.jpg\/960px-The_Great_Wave_off_Kanagawa.jpg?utm_source=commons.wikimedia.org&amp;utm_campaign=index&amp;utm_content=thumbnail\" alt=\"This is a faithful photographic reproduction of a two-dimensional, public domain work of art.Hokusai ; La Grande Vague de Kanagawa,\" width=\"562\" height=\"388\" title=\"-\"><\/a><p class=\"wp-caption-text\">Hokusai ; La Grande Vague de Kanagawa,<\/p><\/div>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Trente-six_vues_du_mont_Fuji\" target=\"_blank\" rel=\"noopener noreferrer\">Fugaku Sanj\u016brokkei<\/a> : trente-six vues du mont Fuji.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Cent_vues_du_mont_Fuji\" target=\"_blank\" rel=\"noopener noreferrer\">Fugaku Hyakkei<\/a> : cent vues du mont Fuji. Cette s\u00e9rie fait suite \u00e0 la c\u00e9l\u00e8bre s\u00e9rie des Trente-six Vues du mont Fuji (Fugaku-sanj\u00fbrokkei), publi\u00e9e entre 1830-31 et 1833.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Il serait dommage, qu&rsquo;ici, j&rsquo;omette de rendre hommage \u00e0 <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hokusai\" target=\"_blank\" rel=\"noopener noreferrer\">Katsushika Hokusai<\/a>.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Si fait&#8230; Un autre article \u00e0 son propos :<\/span><\/p>\n<h3 class=\"entry-title\" style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"le-cauchemar-du-mari-de-lama\"><\/span><strong><span style=\"color: #0000ff; font-size: 20px;\"><a style=\"color: #0000ff;\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-cauchemar-du-mari-de-l-ama\/\" target=\"_blank\" rel=\"noopener noreferrer\">Le cauchemar du mari de l\u2019Ama<\/a><\/span><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L&rsquo;extrapolation filmique d\u2019une <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Vanit%C3%A9\" target=\"_blank\" rel=\"noopener noreferrer\">Vanit\u00e9<\/a> par l\u2019\u00e9vocation, certes impertinente, du mari de l\u2019<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ama_%28plongeuse%29\" target=\"_blank\" rel=\"noopener noreferrer\">Ama<\/a>. Au Japon, les \u00ab\u00a0Ama\u00a0\u00bb sont des plongeuses en apn\u00e9e connues en tant que p\u00eacheuses de perles.<\/span><\/p>\n<p><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-53716 aligncenter\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png\" alt=\"&quot;&quot;\" width=\"460\" height=\"18\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-1024x40.png 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-768x30.png 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-250x10.png 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-150x6.png 150w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png 1200w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/p>\n<h2 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"lestampe-definition-techniques-et-etymologie\"><\/span><strong><span style=\"font-size: 20px;\">L&rsquo;estampe : d\u00e9finition, techniques et \u00e9tymologie<\/span><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L&rsquo;estampe d\u00e9signe, au sens strict, le r\u00e9sultat de l&rsquo;impression d&rsquo;une <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Gravure\" target=\"_blank\" rel=\"noopener noreferrer\">gravure<\/a>.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">On distingue habituellement deux grandes familles d&rsquo;estampes : les impressions en taille d&rsquo;\u00e9pargne et les impressions en taille-douce. Les outils et produits employ\u00e9s varient sensiblement d&rsquo;une technique \u00e0 l&rsquo;autre.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L&rsquo;examen attentif d&rsquo;une estampe permet donc en principe de reconna\u00eetre le proc\u00e9d\u00e9 utilis\u00e9. Aujourd&rsquo;hui, par commodit\u00e9, certaines institutions ou organisations appellent aussi estampe, le tirage obtenu par des techniques de reproduction artistique plus r\u00e9centes, comme la <a title=\"Lithographie\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Lithographie\" target=\"_blank\" rel=\"noopener noreferrer\">lithographie<\/a> ou la <a title=\"S\u00e9rigraphie\" href=\"https:\/\/fr.wikipedia.org\/wiki\/S%C3%A9rigraphie\" target=\"_blank\" rel=\"noopener noreferrer\">s\u00e9rigraphie<\/a>, qui utilisent des principes diff\u00e9rents.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Ce mot d\u00e9j\u00e0 utilis\u00e9 en ancien fran\u00e7ais sous les formes \u00ab\u00a0estanpe, stampe\u00a0\u00bb vient de l&rsquo;italien <i>stampa<\/i> (impression, tirage, presse, estampe) dont l&rsquo;\u00e9tymologie d&rsquo;origine germanique d\u00e9rive de <i>stampjan<\/i> ou de <i>stamp\u00f4n<\/i> (\u00ab\u00a0\u00e9craser, frapper\u00a0\u00bb) qui a donn\u00e9 <i>stampfen<\/i> en allemand (frapper du pied).<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L&rsquo;estampe en taille d&rsquo;\u00e9pargne est obtenue par le proc\u00e9d\u00e9 de la gravure sur bois. C&rsquo;est la technique la plus ancienne ; elle \u00e9tait pratiqu\u00e9e d\u00e8s le VII<sup><abbr class=\"abbr\" title=\"7\u1d49 si\u00e8cle\">e<\/abbr><\/sup> si\u00e8cle en Chine.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Nicolas_Poussin\" target=\"_blank\" rel=\"noopener noreferrer\">Nicolas Poussin<\/a>, en 1647, utilise d\u00e9j\u00e0 le mot au sens actuel d&rsquo;image imprim\u00e9e au moyen d&rsquo;une planche grav\u00e9e.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><a href=\"https:\/\/fr.wikipedia.org\/wiki\/Estampe\" target=\"_blank\" rel=\"noopener noreferrer\">La suite sur Wikip\u00e9dia &gt;&gt;&gt;&gt;<\/a><\/span><\/p>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-53716 aligncenter\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png\" alt=\"&quot;&quot;\" width=\"460\" height=\"18\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-1024x40.png 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-768x30.png 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-250x10.png 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-150x6.png 150w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png 1200w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/p>\n<table style=\"width: 100%; border-collapse: collapse;\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 100%;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-55724 \" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/05\/Shizuka-Kageyama-ILL-460x575.jpg\" alt=\"Portrait de Shizuka Kageyama (\u9759\u9999 \u5f71\u5c71) : historienne de l&#039;art virtuelle\" width=\"176\" height=\"220\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/05\/Shizuka-Kageyama-ILL-460x575.jpg 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/05\/Shizuka-Kageyama-ILL-1024x1280.jpg 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/05\/Shizuka-Kageyama-ILL-768x960.jpg 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/05\/Shizuka-Kageyama-ILL-120x150.jpg 120w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/05\/Shizuka-Kageyama-ILL.jpg 1122w\" sizes=\"auto, (max-width: 176px) 100vw, 176px\" \/><\/p>\n<p>Frank C\u00e9sar Lovisolo &amp; <a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/katsushika-hokusai-cauchemar-mari-ama\/#SK01\" target=\"_blank\" rel=\"noopener\"><strong>Shizuka Kageyama<\/strong><\/a> (\u9759\u9999 \u5f71\u5c71)\u00a0 une historienne de l\u2019art virtuelle n\u00e9e en 2048 dans le quartier flottant de Neo-Edo&#8230;<\/p>\n<h2 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"lestampe-reproductibilite-materialite-et-statut-de-loeuvre\"><\/span><span style=\"font-size: 26px;\"><strong>L\u2019estampe : reproductibilit\u00e9, mat\u00e9rialit\u00e9 et statut de l\u2019\u0153uvre<\/strong><\/span><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div style=\"width: 570px\" class=\"wp-caption alignright\"><a title=\"Katsushika Hokusai, Public domain, via Wikimedia Commons\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Tea_house_at_Koishikawa._The_morning_after_a_snowfall.jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/0b\/Tea_house_at_Koishikawa._The_morning_after_a_snowfall.jpg\/960px-Tea_house_at_Koishikawa._The_morning_after_a_snowfall.jpg?utm_source=commons.wikimedia.org&amp;utm_campaign=index&amp;utm_content=thumbnail\" alt=\"Hokusai : Tea house at Koishikawa. The morning after a snowfall - Estampe\" width=\"560\" height=\"391\" title=\"-\"><\/a><p class=\"wp-caption-text\">Hokusai : Maison de th\u00e9 \u00e0 Koishikawa, le matin apr\u00e8s une chute de neige<\/p><\/div>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L\u2019estampe constitue un champ artistique et th\u00e9orique singulier, situ\u00e9 \u00e0 l\u2019intersection de la cr\u00e9ation plastique, de la technique et de la reproductibilit\u00e9. D\u00e9finie comme une image imprim\u00e9e \u00e0 partir d\u2019une matrice, elle se distingue des arts graphiques traditionnels par la m\u00e9diation d\u2019un dispositif technique qui conditionne \u00e0 la fois la forme, la mat\u00e9rialit\u00e9 et le statut ontologique de l\u2019\u0153uvre. Loin de se r\u00e9duire \u00e0 une simple reproduction, l\u2019estampe engage un processus de cr\u00e9ation o\u00f9 la matrice fonctionne comme lieu originaire de l\u2019image, tout en demeurant distincte de ses manifestations mat\u00e9rielles multiples.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Sur le plan th\u00e9orique, cette technique interroge de mani\u00e8re centrale la notion d\u2019originalit\u00e9. Contrairement au paradigme de l\u2019\u0153uvre unique, elle repose sur une logique de multiplicit\u00e9 contr\u00f4l\u00e9e, dans laquelle l\u2019original ne co\u00efncide pas avec un objet singulier mais avec un ensemble de tirages \u00e9quivalents, parfois hi\u00e9rarchis\u00e9s par des \u00e9tats, des \u00e9preuves ou des variations. Cette configuration remet en question les cat\u00e9gories classiques de l\u2019histoire de l\u2019art, notamment celles de l\u2019unicit\u00e9, de l\u2019aura et de l\u2019authenticit\u00e9, telles qu\u2019analys\u00e9es par Walter Benjamin dans son essai sur l\u2019\u0153uvre d\u2019art \u00e0 l\u2019\u00e9poque de sa reproductibilit\u00e9 technique.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">La mat\u00e9rialit\u00e9 de l\u2019\u0153uvre constitue un autre enjeu th\u00e9orique majeur. Chaque tirage, bien que proc\u00e9dant d\u2019une m\u00eame matrice, pr\u00e9sente des diff\u00e9rences li\u00e9es \u00e0 l\u2019encrage, \u00e0 la pression, au support ou \u00e0 l\u2019intervention manuelle de l\u2019artiste. Ces variations introduisent une tension entre r\u00e9p\u00e9tition et singularit\u00e9, faisant de l\u2019estampe un m\u00e9dium o\u00f9 la trace, l\u2019accident et le geste conservent une importance d\u00e9terminante. Ainsi, la reproductibilit\u00e9 ne supprime pas la dimension sensible de l\u2019\u0153uvre, mais la redistribue au sein d\u2019un champ s\u00e9riel.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">D\u2019un point de vue s\u00e9miologique, l\u2019estampe peut \u00eatre appr\u00e9hend\u00e9e comme un syst\u00e8me de signes m\u00e9diatis\u00e9 par la technique. La matrice agit comme un op\u00e9rateur de transformation, imposant une distance entre le geste initial et l\u2019image imprim\u00e9e. Cette m\u00e9diation engage une r\u00e9flexion sur le rapport entre pr\u00e9sence et absence, entre inscription et empreinte, rejoignant des probl\u00e9matiques d\u00e9velopp\u00e9es par des penseurs tels que Rosalind Krauss ou Georges Didi-Huberman autour de l\u2019indice, de la trace et de la survivance des images.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Enfin, dans le contexte contemporain, l\u2019estampe se red\u00e9finit \u00e0 l\u2019aune des technologies num\u00e9riques, qui d\u00e9placent les fronti\u00e8res entre original et copie, analogique et num\u00e9rique. Loin d\u2019annoncer la disparition du m\u00e9dium, ces hybridations confirment sa pertinence th\u00e9orique en tant que dispositif critique permettant d\u2019interroger les conditions de production, de diffusion et de r\u00e9ception des images dans les soci\u00e9t\u00e9s contemporaines.<\/span><\/p>\n<p><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-53716 aligncenter\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png\" alt=\"&quot;&quot;\" width=\"460\" height=\"18\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-1024x40.png 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-768x30.png 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-250x10.png 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-150x6.png 150w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png 1200w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\">\n<h2 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"lestampe-japonaise-ukiyo-e-entre-culture-visuelle-et-modernite-artistique\"><\/span><span style=\"font-size: 26px;\"><strong>L\u2019estampe japonaise (<em>ukiyo-e<\/em>) : entre culture visuelle et modernit\u00e9 artistique<\/strong><\/span><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div style=\"width: 570px\" class=\"wp-caption alignleft\"><a title=\"Utagawa Hiroshige, Public domain, via Wikimedia Commons\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Hiroshige_par_Goyo.jpeg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/0\/01\/Hiroshige_par_Goyo.jpeg\/960px-Hiroshige_par_Goyo.jpeg?utm_source=commons.wikimedia.org&amp;utm_campaign=index&amp;utm_content=thumbnail\" alt=\"Hiroshige par Goyo - - Estampe\" width=\"560\" height=\"370\" title=\"-\"><\/a><p class=\"wp-caption-text\">Hashiguchi Goy\u014d, Pluie du soir \u00e0 Azumi-no Mori, 1917-1918, copie d&rsquo;apr\u00e8s Utagawa Hiroshige<\/p><\/div>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L\u2019estampe japonaise, commun\u00e9ment d\u00e9sign\u00e9e sous le terme <em>ukiyo-e<\/em> (\u00ab images du monde flottant \u00bb), constitue l\u2019une des formes les plus embl\u00e9matiques de la culture visuelle japonaise de l\u2019\u00e9poque d\u2019Edo (XVII\u1d49\u2013XIX\u1d49 si\u00e8cles). Produite selon la technique de la xylogravure polychrome, elle r\u00e9sulte d\u2019un travail collectif associant dessinateur, graveur, imprimeur et \u00e9diteur, ce qui distingue fondamentalement l\u2019estampe japonaise des pratiques occidentales fond\u00e9es sur l\u2019unicit\u00e9 de l\u2019auteur.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Les <em>ukiyo-e<\/em> repr\u00e9sentent principalement des sc\u00e8nes de la vie urbaine : acteurs de kabuki, courtisanes, paysages c\u00e9l\u00e8bres, sc\u00e8nes saisonni\u00e8res ou \u00e9pisodes historiques et mythologiques. Ces images, destin\u00e9es \u00e0 un large public, participent \u00e0 la construction d\u2019une culture populaire urbaine et \u00e0 la diffusion de mod\u00e8les esth\u00e9tiques partag\u00e9s. Loin d\u2019\u00eatre de simples objets d\u00e9coratifs, les estampes jouent un r\u00f4le structurant dans l\u2019imaginaire collectif japonais, en fixant des codes visuels fond\u00e9s sur la stylisation, la plan\u00e9it\u00e9 et la primaut\u00e9 de la ligne.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Sur le plan formel, l\u2019estampe japonaise se caract\u00e9rise par une conception non illusionniste de l\u2019espace, rompant avec la perspective lin\u00e9aire occidentale. L\u2019usage de cadrages asym\u00e9triques, de points de vue obliques et de surfaces color\u00e9es uniformes t\u00e9moigne d\u2019un rapport sp\u00e9cifique \u00e0 l\u2019espace et au temps, souvent associ\u00e9 \u00e0 une esth\u00e9tique de l\u2019instantan\u00e9 et de l\u2019\u00e9ph\u00e9m\u00e8re. Cette logique visuelle rejoint la philosophie du <em>mono no aware<\/em>, qui valorise la conscience de l\u2019impermanence des choses.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">D\u2019un point de vue th\u00e9orique, l\u2019<em>ukiyo-e<\/em> interroge les notions d\u2019originalit\u00e9 et de reproductibilit\u00e9. La multiplicit\u00e9 des tirages, assum\u00e9e comme mode de diffusion, ne diminue pas la valeur esth\u00e9tique de l\u2019\u0153uvre mais en constitue au contraire la condition d\u2019existence. La matrice de bois, d\u00e9truite ou alt\u00e9r\u00e9e par l\u2019usage, inscrit l\u2019estampe dans une temporalit\u00e9 de l\u2019usure et de la disparition, conf\u00e9rant \u00e0 chaque tirage une dimension historique sp\u00e9cifique.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L\u2019influence de l\u2019estampe japonaise sur l\u2019art occidental, particuli\u00e8rement au XIX\u1d49 si\u00e8cle, est consid\u00e9rable. Le <em>japonisme<\/em> inspire profond\u00e9ment les impressionnistes et postimpressionnistes, tels que Monet, Degas, Van Gogh ou Toulouse-Lautrec, qui reprennent ses cadrages audacieux, sa simplification des formes et son rapport novateur \u00e0 la couleur. Ainsi, l\u2019estampe japonaise appara\u00eet comme un vecteur majeur de la modernit\u00e9 artistique, contribuant \u00e0 red\u00e9finir les fondements m\u00eames de la repr\u00e9sentation picturale en Occident.<\/span><\/p>\n<p><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-53716 aligncenter\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png\" alt=\"&quot;&quot;\" width=\"460\" height=\"18\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-460x18.png 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-1024x40.png 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-768x30.png 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-250x10.png 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique-150x6.png 150w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2026\/05\/seeparation-texte-celtique.png 1200w\" sizes=\"auto, (max-width: 460px) 100vw, 460px\" \/><\/a><\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\">\n<h2 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"bibliographie-et-ressources\"><\/span><span style=\"font-size: 26px;\"><strong>Bibliographie et ressources<\/strong><\/span><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<div style=\"width: 363px\" class=\"wp-caption alignright\"><a title=\"Jean-Pierre Dalb\u00e9ra de Paris, France, CC BY 2.0, via Wikimedia Commons\" href=\"https:\/\/commons.wikimedia.org\/wiki\/File:Le_rossignol_dans_les_bambous_(mus%C3%A9e_Guimet)_(15342675419).jpg\" rel=\"nofollow noopener\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/thumb.wikimedia.org\/wikipedia\/commons\/thumb\/d\/dd\/Le_rossignol_dans_les_bambous_%28mus%C3%A9e_Guimet%29_%2815342675419%29.jpg\/500px-Le_rossignol_dans_les_bambous_%28mus%C3%A9e_Guimet%29_%2815342675419%29.jpg?utm_source=commons.wikimedia.org&amp;utm_campaign=index&amp;utm_content=thumbnail\" alt=\"Suzuki Harunobu : Le rossignol dans les bambous (mus\u00e9e Guimet) (15342675419) - Estampe\" width=\"353\" height=\"467\" title=\"-\"><\/a><p class=\"wp-caption-text\">Suzuki Harunobu &#8211; Le Rossignol dans les bambous (1768-1769) Mus\u00e9e Guimet<\/p><\/div>\n<h3 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"reproductibilite-original-et-empreinte\"><\/span><strong><span style=\"font-size: 20px;\">Reproductibilit\u00e9, original et empreinte<\/span><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Walter Benjamin, <em>L\u2019\u0152uvre d\u2019art \u00e0 l\u2019\u00e9poque de sa reproductibilit\u00e9 technique<\/em> (<em>Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit<\/em>), essai r\u00e9dig\u00e9 entre 1935 et 1939 ; trad. Lionel Duvoy, Paris, Allia, 2011. <a href=\"https:\/\/nantilus.univ-nantes.fr\/vufind\/Record\/PPN158300939\" target=\"_blank\" rel=\"noopener noreferrer\">Notice de l\u2019\u00e9dition (catalogue de l\u2019Universit\u00e9 de Nantes)<\/a> \u2013 <a href=\"https:\/\/www.universalis.fr\/encyclopedie\/l-oeuvre-d-art-a-l-epoque-de-sa-reproduction-mecanisee\/\" target=\"_blank\" rel=\"noopener noreferrer\">Fiche de lecture (Encyclop\u00e6dia Universalis)<\/a> \u2013 <a href=\"https:\/\/archive-demeter.univ-lille.fr\/copie\/boissiere.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">\u00ab\u00a0La reproductibilit\u00e9 technique chez Walter Benjamin\u00a0\u00bb, article en ligne (Universit\u00e9 de Lille)<\/a>.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Rosalind Krauss, \u00ab\u00a0Notes on the Index: Seventies Art in America\u00a0\u00bb, <em>October<\/em>, n\u00b0 3 (printemps 1977), p. 68-81, et n\u00b0 4 (automne 1977), p. 58-67 ; repris dans <em>The Originality of the Avant-Garde and Other Modernist Myths<\/em>, Cambridge (Mass.), MIT Press, 1985. <a href=\"https:\/\/lib.uci.edu\/sites\/all\/docs\/wellek\/krauss\/1977.html\" target=\"_blank\" rel=\"noopener noreferrer\">R\u00e9f\u00e9rences (bibliographie de Rosalind Krauss, UCI Libraries)<\/a> \u2013 <a href=\"https:\/\/www.monoskop.org\/Krauss\" target=\"_blank\" rel=\"noopener noreferrer\">Rosalind E. Krauss (Monoskop)<\/a>.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Georges Didi-Huberman, <em>Devant le temps. Histoire de l\u2019art et anachronisme des images<\/em>, Paris, Minuit, coll. \u00ab\u00a0Critique\u00a0\u00bb, 2000. <a href=\"https:\/\/journals.openedition.org\/annuaire-ehess\/pdf\/15366\" target=\"_blank\" rel=\"noopener noreferrer\">Pr\u00e9sentation dans l\u2019Annuaire de l\u2019EHESS (2002)<\/a>.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Georges Didi-Huberman, <em>L\u2019Image survivante. Histoire de l\u2019art et temps des fant\u00f4mes selon Aby Warburg<\/em>, Paris, Minuit, 2002. <a href=\"https:\/\/shs.cairn.info\/article\/ETHN_034_0697\/pdf?lang=fr\" target=\"_blank\" rel=\"noopener noreferrer\">Note de lecture (Cairn)<\/a>.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Georges Didi-Huberman, <em>La Ressemblance par contact. Arch\u00e9ologie, anachronisme et modernit\u00e9 de l\u2019empreinte<\/em>, Paris, Minuit, 2008. <a href=\"https:\/\/laviedesidees.fr\/Esthetique-de-l-empreinte\" target=\"_blank\" rel=\"noopener noreferrer\">Compte rendu \u00ab\u00a0Esth\u00e9tique de l\u2019empreinte\u00a0\u00bb (La Vie des id\u00e9es)<\/a>.<\/span><\/li>\n<\/ul>\n<h3 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"estampe-ukiyo-e-et-hokusai\"><\/span><strong><span style=\"font-size: 20px;\">Estampe, ukiyo-e et Hokusai<\/span><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">\u00ab\u00a0<a href=\"https:\/\/fr.wikipedia.org\/wiki\/Estampe\" target=\"_blank\" rel=\"noopener noreferrer\">Estampe<\/a>\u00a0\u00bb, Wikip\u00e9dia (licence CC BY-SA) : la d\u00e9finition et l\u2019\u00e9tymologie pr\u00e9sent\u00e9es plus haut en sont adapt\u00e9es.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">\u00ab\u00a0<a href=\"https:\/\/www.herodote.net\/estampe-mot-480.php\" target=\"_blank\" rel=\"noopener noreferrer\">Estampe<\/a>\u00a0\u00bb, H\u00e9rodote.net, <em>Le dictionnaire de l\u2019Histoire<\/em> (impression xylographique, ukiyo-e, Utamaro, Hokusai, Hiroshige).<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Nippon.com, \u00ab\u00a0<a href=\"https:\/\/www.nippon.com\/fr\/views\/b02305\/\" target=\"_blank\" rel=\"noopener noreferrer\">Les estampes japonaises, m\u00e9dia de l\u2019\u00e9poque d\u2019Edo<\/a>\u00a0\u00bb et \u00ab\u00a0<a href=\"https:\/\/www.nippon.com\/fr\/views\/b02306\/\" target=\"_blank\" rel=\"noopener noreferrer\">La technique de l\u2019estampe ukiyo-e transmise aujourd\u2019hui par les artisans<\/a>\u00a0\u00bb (s\u00e9rie \u00ab\u00a0La modernit\u00e9 de l\u2019esth\u00e9tique traditionnelle\u00a0\u00bb).<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Katsushika Hokusai : <a href=\"https:\/\/en.wikipedia.org\/wiki\/Hokusai\" target=\"_blank\" rel=\"noopener noreferrer\">notice Wikip\u00e9dia (en anglais)<\/a>, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Trente-six_vues_du_mont_Fuji\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Trente-six vues du mont Fuji<\/em><\/a> et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Cent_vues_du_mont_Fuji\" target=\"_blank\" rel=\"noopener noreferrer\"><em>Cent vues du mont Fuji<\/em><\/a>.<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Du m\u00eame auteur : \u00ab\u00a0<a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-cauchemar-du-mari-de-l-ama\/\">Le cauchemar du mari de l\u2019Ama<\/a>\u00a0\u00bb.<\/span><\/li>\n<\/ul>\n<h3 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"japonisme-et-modernite-occidentale\"><\/span><strong><span style=\"font-size: 20px;\">Japonisme et modernit\u00e9 occidentale<\/span><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Kim Grant, \u00ab\u00a0<a href=\"https:\/\/smarthistory.org\/japonisme\/\" target=\"_blank\" rel=\"noopener noreferrer\">Japonisme<\/a>\u00a0\u00bb, Smarthistory, 14 juin 2020 (en anglais).<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Asian Art Museum, \u00ab\u00a0<a href=\"https:\/\/smarthistory.org\/looking-east-how-japan-inspired-monet-van-gogh-and-other-western-artists\/\" target=\"_blank\" rel=\"noopener noreferrer\">Looking east: how Japan inspired Monet, Van Gogh and other Western artists<\/a>\u00a0\u00bb, Smarthistory, 31 janvier 2016 (en anglais).<\/span><\/li>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Mus\u00e9e des impressionnismes Giverny, <a href=\"https:\/\/www.mdig.fr\/wp-content\/uploads\/2020\/05\/dossier-pedagogique-exposition-japonismes-impressionnismes-musee-giverny.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">dossier p\u00e9dagogique de l\u2019exposition \u00ab\u00a0Japonismes \/ Impressionnismes\u00a0\u00bb<\/a> (30 mars &#8211; 15 juillet 2018, PDF).<\/span><\/li>\n<\/ul>\n<h3 style=\"text-align: justify;\"><span class=\"ez-toc-section\" id=\"esthetique-japonaise-mono-no-aware\"><\/span><strong><span style=\"font-size: 20px;\">Esth\u00e9tique japonaise : <em>mono no aware<\/em><\/span><\/strong><span class=\"ez-toc-section-end\"><\/span><\/h3>\n<ul>\n<li style=\"text-align: justify;\"><span style=\"font-size: 18px;\">\u00ab\u00a0<a href=\"https:\/\/plato.stanford.edu\/entries\/japanese-aesthetics\/\" target=\"_blank\" rel=\"noopener noreferrer\">Japanese Aesthetics<\/a>\u00a0\u00bb, <em>Stanford Encyclopedia of Philosophy<\/em> (en anglais) : section \u00ab\u00a0Mono no aware: the Pathos of Things\u00a0\u00bb.<\/span><\/li>\n<\/ul>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<div style=\"text-align: justify;\">&#8211;<a id=\"com\"><\/a><\/div>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Reading Time: <\/span> <span class=\"rt-time\"> 7<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span>\u2026 <a class=\"continue-reading-link\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/un-peu-comme-une-sur-estampe\/\">Suite &#8211; Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":41256,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"no","_lmt_disable":"no","iawp_total_views":0,"_ogeeat_og_title":"","_ogeeat_og_description":"","_ogeeat_og_image":"","_ogeeat_tw_title":"","_ogeeat_tw_description":"","_ogeeat_tw_image":"","footnotes":""},"categories":[2084,1,1939],"tags":[4627,4615,4616,4621,4618,4623,998,4619,1260,4625,4620,4626,4624,479,4617,4343,4622,3573],"class_list":["post-8752","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-libertaire","category-tous-les-articles","category-toulon","tag-ama","tag-estampe","tag-estampe-japonaise","tag-gravure-sur-bois","tag-hokusai","tag-japonisme","tag-katsushika-hokusai","tag-la-grande-vague-de-kanagawa","tag-le-mourillon","tag-lithographie","tag-mont-fuji","tag-serigraphie","tag-taille-depargne","tag-toulon","tag-ukiyo-e","tag-walter-benjamin","tag-xylogravure","tag-zong-bing"],"modified_by":"Frank C\u00e9sar LOVISOLO","_links":{"self":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts\/8752","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/comments?post=8752"}],"version-history":[{"count":2,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts\/8752\/revisions"}],"predecessor-version":[{"id":56812,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts\/8752\/revisions\/56812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/media\/41256"}],"wp:attachment":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/media?parent=8752"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/categories?post=8752"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/tags?post=8752"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}