{"id":6404,"date":"2012-08-05T10:59:40","date_gmt":"2012-08-05T08:59:40","guid":{"rendered":"https:\/\/frank-lovisolo.fr\/WordPress\/?page_id=6404"},"modified":"2026-10-12T08:34:00","modified_gmt":"2026-10-12T06:34:00","slug":"le-vol-dune-nuit","status":"publish","type":"post","link":"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/","title":{"rendered":"Plans de Vols &#038; Le Vol d&rsquo;une Nuit"},"content":{"rendered":"<div id=\"ez-toc-container\" class=\"ez-toc-v2_0_89 ez-toc-wrap-left-text counter-hierarchy ez-toc-counter ez-toc-light-blue ez-toc-container-direction\">\n<label for=\"ez-toc-cssicon-toggle-item-6ae4b0f7d13cc\" class=\"ez-toc-cssicon-toggle-label\"><p class=\"ez-toc-title\" style=\"cursor:inherit\">Table des mati\u00e8res<\/p>\n<span class=\"ez-toc-cssicon\"><span class=\"eztoc-hide\" style=\"display:none;\">Toggle<\/span><span class=\"ez-toc-icon-toggle-span\"><svg style=\"fill: #999;color:#999\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" class=\"list-377408\" width=\"20px\" height=\"20px\" viewBox=\"0 0 24 24\" fill=\"none\"><path d=\"M6 6H4v2h2V6zm14 0H8v2h12V6zM4 11h2v2H4v-2zm16 0H8v2h12v-2zM4 16h2v2H4v-2zm16 0H8v2h12v-2z\" fill=\"currentColor\"><\/path><\/svg><svg style=\"fill: #999;color:#999\" class=\"arrow-unsorted-368013\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" width=\"10px\" height=\"10px\" viewBox=\"0 0 24 24\" version=\"1.2\" baseProfile=\"tiny\"><path d=\"M18.2 9.3l-6.2-6.3-6.2 6.3c-.2.2-.3.4-.3.7s.1.5.3.7c.2.2.4.3.7.3h11c.3 0 .5-.1.7-.3.2-.2.3-.5.3-.7s-.1-.5-.3-.7zM5.8 14.7l6.2 6.3 6.2-6.3c.2-.2.3-.5.3-.7s-.1-.5-.3-.7c-.2-.2-.4-.3-.7-.3h-11c-.3 0-.5.1-.7.3-.2.2-.3.5-.3.7s.1.5.3.7z\"\/><\/svg><\/span><\/span><\/label><input type=\"checkbox\"  id=\"ez-toc-cssicon-toggle-item-6ae4b0f7d13cc\" checked \/><nav><ul class='ez-toc-list ez-toc-list-level-1 ' ><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-1\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#le-vol-dune-nuit\" >Le Vol d&rsquo;une Nuit<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-2\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#art-philosophie-et-pharmacie-de-garde-nietzsche-contre-wagner\" >Art, philosophie et pharmacie de garde : Nietzsche contre Wagner<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-3\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#introduction-une-ordonnance-redigee-a-turin\" >Introduction : une ordonnance r\u00e9dig\u00e9e \u00e0 Turin<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-4\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#i-le-philosophe-en-blouse-blanche-la-metaphore-medicale-prise-au-serieux\" >I. Le philosophe en blouse blanche : la m\u00e9taphore m\u00e9dicale prise au s\u00e9rieux<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-5\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#ii-deux-souffrances-deux-officines-dionysos-contre-bayreuth\" >II. Deux souffrances, deux officines : Dionysos contre Bayreuth<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-6\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#iii-les-limites-de-la-posologie-peut-on-juger-une-oeuvre-a-son-bulletin-de-sante\" >III. Les limites de la posologie : peut-on juger une \u0153uvre \u00e0 son bulletin de sant\u00e9 ?<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-7\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#conclusion-pour-une-pharmacie-qui-sache-danser\" >Conclusion : pour une pharmacie qui sache danser<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-8\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#bibliographie-liens-actifs\" >Bibliographie (liens actifs)<\/a><\/li><li class='ez-toc-page-1 ez-toc-heading-level-2'><a class=\"ez-toc-link ez-toc-heading-9\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/#plus\" >Plus\u00a0<\/a><\/li><\/ul><\/nav><\/div>\n<span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Reading Time: <\/span> <span class=\"rt-time\"> 10<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span><div style=\"text-align: center;\">Le Vol d&rsquo;une Nuit &#8211; Nietzsche<\/div>\n<table style=\"width: 100%;\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 40%; text-align: right; vertical-align: middle;\" colspan=\"3\">\n<div style=\"text-align: center;\"><strong><span style=\"font-size: 16px;\"><span style=\"font-size: 14px;\">Suggestion d&rsquo;\u00e9coute :<\/span><br \/>\n<a title=\"L'Agrypnie de Prom\u00e9th\u00e9e, composition de Frank Lovisolo\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/agrypnie-de-promethee\/\">L&rsquo;Agrypnie de Prom\u00e9th\u00e9e<\/a><br \/>\n<\/span><\/strong><\/div>\n<\/td>\n<td style=\"width: 40%; text-align: right; vertical-align: middle;\">\n<div><a title=\"\u00c9couter L&#039;Agrypnie de Prom\u00e9th\u00e9e sur Bandcamp\" href=\"https:\/\/frankcesarlovisolo.bandcamp.com\/track\/lagrypnie-de-prom-th-e\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-51127\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank.png\" alt=\"\u00c9couter L&#039;Agrypnie de Prom\u00e9th\u00e9e sur Bandcamp\" width=\"303\" height=\"25\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank.png 400w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank-250x21.png 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2022\/11\/bandcamp-logotype-color-400-Frank-150x12.png 150w\" sizes=\"auto, (max-width: 303px) 100vw, 303px\" \/><\/a><\/div>\n<\/td>\n<td style=\"width: 20%; text-align: left; vertical-align: middle;\"><a title=\"Aller aux commentaires\" href=\"#com\"><span style=\"font-size: 20px;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-15068\" title=\"Aller aux commentaires\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2015\/06\/ComRouge.jpg\" alt=\"Laisser un commentaire\" width=\"250\" height=\"20\" \/><\/span><\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 100%;\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 50%; text-align: center;\" colspan=\"2\">\n<div><span style=\"font-size: 16px;\"><strong>\u00ab\u00a0Tout art, toute philosophie peuvent \u00eatre consid\u00e9r\u00e9s comme rem\u00e8des et secours de la vie ascendante et de la vie d\u00e9clinante.\u00a0\u00bb<\/strong><\/span><\/div>\n<div><span style=\"font-size: 14px;\">Nietzsche contre Wagner (1888), \u00ab\u00a0Nous autres antipodes\u00a0\u00bb<\/span><\/div>\n<div><span style=\"font-size: 20px;\">Quarante d\u00e9clinaisons color\u00e9es d\u2019un m\u00eame sujet&#8230; <\/span><br \/>\n<span style=\"font-size: 20px;\">L\u2019exploration insaisissable en vol nocturne d\u2019une fraction des nuitamment possibles.<\/span><br \/>\n<span style=\"font-size: 20px;\">Toutes les planches sont reproductibles, seules ou combin\u00e9es, \u00e0 la demande.<\/span><\/div>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" colspan=\"2\"><span style=\"font-size: 20px;\">Le Vol d&rsquo;une Nuit : Nus, photographies\u00a0:<br \/>\nl&rsquo;art s&rsquo;adresse \u00e0 des spectateurs qui sont eux-m\u00eames cr\u00e9ateurs, pas \u00e0 un public passif. 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data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-01.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-02.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-03.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-04.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-05.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-06.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-07.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-08.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-09.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-10.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-11.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-12.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-13.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-14.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-15.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-16.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-17.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-18.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-19.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-20.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-21.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-22.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-23.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-24.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-25.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-26.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-27.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-28.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-29.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-30.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-31.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-32.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-33.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-34.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-35.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-36.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-37.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-38.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-39.jpg\" alt=\"\" title=\"-\"><img loading=\"lazy\" decoding=\"async\" class=\"skip-lazy no-lazyload noLazy\" data-lazy-src=\"\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/flagallery\/le-vol-dune-nuit-05\/le-vol-dune-nuit-40.jpg\" alt=\"\" title=\"-\"><\/noscript><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: center;\" colspan=\"2\">\n<h2 style=\"font-size: 20px; font-weight: bold;\"><span class=\"ez-toc-section\" id=\"le-vol-dune-nuit\"><\/span>Le Vol d&rsquo;une Nuit<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p>&nbsp;<\/p>\n<p><span style=\"font-size: 20px;\">Compositions d\u2019assemblages num\u00e9riques \u00e0 partir de quarante images d\u00e9finies.<\/span><br \/>\n<span style=\"font-size: 20px;\">Ici ne sont visibles qu\u2019une partie des possibilit\u00e9s combinatoires qui peuvent \u00eatre, \u00e0 tout moment ou \u00e0 la demande, r\u00e9arrang\u00e9es dans l\u2019ordre qui convient \u00e0 l\u2019acqu\u00e9reur de l\u2019\u0153uvre, \u00e0 condition qu&rsquo;il y en ait un. <\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: justify; background-color: #ffffff;\" colspan=\"2\"><span style=\"color: #000000;\"><span style=\"color: #003366; font-size: 20px;\"><em>Tout art, toute philosophie peuvent \u00eatre consid\u00e9r\u00e9s comme rem\u00e8des et secours de la vie ascendante et de la vie d\u00e9clinante : ils supposent toujours souffrances et souffrants. <\/em><\/span><\/span><\/p>\n<p><span style=\"color: #003366; font-size: 20px;\"><em>Or il y a deux sortes de souffrants, d\u2019une part, ceux qui souffrent de la surabondance de la vie, qui veulent un art dionysiaque et m\u00eame une vision et une vue tragiques sur la vie, et, ensuite, ceux qui souffrent d\u2019appauvrissement de la vie, ceux qui r\u00e9clament de l\u2019art et de la philosophie la paix, le calme, la mer \u00e9tale, ou bien au contraire l\u2019ivresse, les convulsions, l\u2019engourdissement, la vengeance sur la vie m\u00eame la plus voluptueuse esp\u00e8ce d\u2019ivresse pour de tels appauvris !\u2026 <\/em><\/span><\/p>\n<p><span style=\"color: #003366; font-size: 20px;\"><em>Ce qui correspond au double besoin de ceux-ci, c\u2019est aussi bien Wagner que Schopenhauer ils nient la vie, ils la calomnient, et par l\u00e0 ils sont mes antipodes. <\/em><\/span><\/p>\n<p><span style=\"color: #003366; font-size: 20px;\"><em>Le plus riche en pl\u00e9nitude, le dieu et l\u2019homme dionysiaque, peut s\u2019accorder non seulement le spectacle du terrible et du douteux, mais aussi l\u2019action terrible elle-m\u00eame et ce luxe de destruction, de d\u00e9composition, de n\u00e9gation, chez lui le mal, l\u2019absurde et le laid paraissent pour ainsi dire permis, comme cela para\u00eet permis dans la nature, par suite d\u2019un surplus de forces procr\u00e9atrices et restauratrices, elle qui peut faire de tout d\u00e9sert un pays d\u2019abondance fertile. (\u2026) <\/em><\/span><\/p>\n<p><span style=\"color: #003366; font-size: 20px;\"><em>A l\u2019\u00e9gard des artistes de toute esp\u00e8ce, je me sers d\u00e9sormais de cette distinction fondamentale : est-ce en l\u2019occurrence la haine contre la vie ou le surplus de vie qui est devenu cr\u00e9ateur ? <\/em><\/span><\/p>\n<p><span style=\"color: #003366; font-size: 20px;\"><em>Dans Goethe, par exemple, c\u2019est le surplus qui est devenu cr\u00e9ateur, dans Flaubert, c\u2019est la haine ; Flaubert, r\u00e9\u00e9dition de Pascal, mais comme artiste, avec au principe ce jugement d\u2019instinct : \u00ab Flaubert est toujours ha\u00efssable, l\u2019homme n\u2019est rien, l\u2019\u0153uvre est tout \u00bb\u2026 Il se torturait, quand il composait, tout \u00e0 fait comme Pascal se torturait quand il pensait \u2013 ils avaient tous deux des sentiments non \u00e9go\u00efstes\u2026<\/em><\/span><\/p>\n<p><span style=\"font-size: 12px; color: #444444;\"><a title=\"Friedrich Nietzsche sur Wikip\u00e9dia\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Friedrich_Nietzsche\" target=\"_blank\" rel=\"noopener noreferrer\">Nietzsche<\/a> contre <a title=\"Richard Wagner sur Wikip\u00e9dia\" href=\"https:\/\/fr.wikipedia.org\/wiki\/Richard_Wagner\" target=\"_blank\" rel=\"noopener noreferrer\">Wagner<\/a> (1888), \u00ab\u00a0<a title=\"Nietzsche contre Wagner, traduction H. Albert, sur Wikisource\" href=\"https:\/\/fr.wikisource.org\/wiki\/Nietzsche_contre_Wagner_(traduction_H._Albert)\" target=\"_blank\" rel=\"noopener noreferrer\">Nous autres antipodes<\/a>\u00a0\u00bb<\/span><a id=\"com\"><\/a><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"aligncenter wp-image-43054 size-large\" title=\"Le Vol d'une Nuit - planche 7\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-7-1024x300.jpg\" alt=\"Le Vol d'une Nuit - planche 7 : composition num\u00e9rique \u00e0 partir de quarante images\" width=\"1024\" height=\"300\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-7-1024x300.jpg 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-7-460x135.jpg 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-7-768x225.jpg 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-7-250x73.jpg 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-7-150x44.jpg 150w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-7.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<table style=\"width: 100%; border-collapse: collapse;\" cellpadding=\"10\">\n<tbody>\n<tr>\n<td style=\"width: 100%;\">\n<h2 style=\"font-weight: bold; text-align: justify;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2014\/09\/220px-Portrait_of_Friedrich_Nietzsche.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-12954\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2014\/09\/220px-Portrait_of_Friedrich_Nietzsche.jpg\" alt=\"Nietzsche\" width=\"220\" height=\"255\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2014\/09\/220px-Portrait_of_Friedrich_Nietzsche.jpg 220w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2014\/09\/220px-Portrait_of_Friedrich_Nietzsche-129x150.jpg 129w\" sizes=\"auto, (max-width: 220px) 100vw, 220px\" \/><\/a><\/h2>\n<p><strong>Frank C\u00e9sar Lovisolo &amp; <a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/vera-radomirskaia\/#VR01\">V\u00e9ra Radomirska\u00efa<\/a><\/strong> (anima documentaliste qui affirme que Wagner est un <strong>gros<\/strong> con antis\u00e9mite)<\/p>\n<h2 style=\"font-weight: bold; text-align: justify;\"><span class=\"ez-toc-section\" id=\"art-philosophie-et-pharmacie-de-garde-nietzsche-contre-wagner\"><\/span>Art, philosophie et pharmacie de garde : Nietzsche contre Wagner<a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/RichardWagner.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignright wp-image-16078\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/RichardWagner.jpg\" alt=\"Wagner\" width=\"184\" height=\"255\" title=\"-\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/RichardWagner.jpg 220w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/RichardWagner-108x150.jpg 108w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/RichardWagner-150x208.jpg 150w\" sizes=\"auto, (max-width: 184px) 100vw, 184px\" \/><\/a><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><em>\u00ab Tout art, toute philosophie peuvent \u00eatre consid\u00e9r\u00e9s comme rem\u00e8des et secours de la vie ascendante et de la vie d\u00e9clinante. \u00bb<\/em><br \/>\nNietzsche, <em>Nietzsche contre Wagner<\/em> (1888), \u00ab Nous autres antipodes \u00bb<\/span><\/p>\n<h2 style=\"font-weight: bold; text-align: justify;\"><span class=\"ez-toc-section\" id=\"introduction-une-ordonnance-redigee-a-turin\"><\/span>Introduction : une ordonnance r\u00e9dig\u00e9e \u00e0 Turin<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">D\u00e9cembre 1888, Turin. Un ancien professeur de B\u00e2le, myope, migraineux et perp\u00e9tuellement \u00e0 la recherche d&rsquo;un climat qui ne lui ferait pas de mal, relit ses propres livres. Il y d\u00e9coupe des passages pour constituer un dossier \u00e0 charge contre l&rsquo;homme qu&rsquo;il a le plus aim\u00e9 : Richard Wagner. Quelques jours plus tard, il s&rsquo;effondrera et ne retrouvera jamais pied. Le dossier s&rsquo;intitule <em>Nietzsche contre Wagner<\/em>, et c&rsquo;est dans \u00ab Nous autres antipodes \u00bb que figure la phrase qui nous occupe. Elle a la s\u00e9cheresse d&rsquo;une notice de m\u00e9dicament, avec indications, contre-indications et posologie.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Elle d\u00e9place pourtant toute la philosophie de l&rsquo;art. La tradition demandait : <em>qu&rsquo;est-ce que le beau ? qu&rsquo;est-ce que le vrai ?<\/em> Nietzsche demande : <em>de quoi cela soigne-t-il, et pour quelle vie ?<\/em> L&rsquo;art et la pens\u00e9e cessent d&rsquo;\u00eatre des contemplations d\u00e9sint\u00e9ress\u00e9es pour devenir des prescriptions.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Une difficult\u00e9 surgit aussit\u00f4t : si toute \u0153uvre est un rem\u00e8de, elle peut aussi \u00eatre un poison, et le crit\u00e8re de distinction n&rsquo;est plus esth\u00e9tique mais physiologique. Peut-on juger une \u0153uvre \u00e0 la sant\u00e9 de ce qu&rsquo;elle prescrit, sans tomber dans un tribunal sanitaire de la culture ?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Nous verrons d&rsquo;abord comment Nietzsche transforme le philosophe et l&rsquo;artiste en soignants, puis comment il distingue deux pharmacies, celle de la surabondance et celle de l&rsquo;appauvrissement, avant d&rsquo;\u00e9prouver les limites d&rsquo;un crit\u00e8re qui s&rsquo;applique d&rsquo;abord \u00e0 son propre auteur.<\/span><\/p>\n<h2 style=\"font-weight: bold;\"><span class=\"ez-toc-section\" id=\"i-le-philosophe-en-blouse-blanche-la-metaphore-medicale-prise-au-serieux\"><\/span>I. Le philosophe en blouse blanche : la m\u00e9taphore m\u00e9dicale prise au s\u00e9rieux<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L&rsquo;id\u00e9e que la philosophie soigne n&rsquo;est pas neuve. \u00c9picure proposait son \u00ab t\u00e9trapharmaque \u00bb, quatre rem\u00e8des contre les angoisses de l&rsquo;existence, et les sto\u00efciens tenaient leur \u00e9cole pour un dispensaire de l&rsquo;\u00e2me. Mais ces m\u00e9decins prescrivaient \u00e0 tous la m\u00eame ordonnance, comme si l&rsquo;humanit\u00e9 souffrait d&rsquo;une seule maladie.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Nietzsche brise ce mod\u00e8le pour deux raisons.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><strong>1. La philosophie est un sympt\u00f4me avant d&rsquo;\u00eatre un rem\u00e8de.<\/strong> Dans la pr\u00e9face de la seconde \u00e9dition du <em>Gai Savoir<\/em> (1886), il soup\u00e7onne les syst\u00e8mes philosophiques d&rsquo;avoir \u00e9t\u00e9, sans le savoir, des interpr\u00e9tations du corps, voire des malentendus sur le corps. Derri\u00e8re un grand concept, il y a un estomac, un climat, une insomnie. Le <em>cogito<\/em> de Descartes n&rsquo;a jamais \u00e9t\u00e9 accus\u00e9 d&rsquo;avoir mal dormi, et Nietzsche s&rsquo;en charge.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><strong>2. Le cas Socrate.<\/strong> Au \u00a7 340 du <em>Gai Savoir<\/em>, il relit la derni\u00e8re phrase du condamn\u00e9 dans le <em>Ph\u00e9don<\/em> : \u00ab Criton, nous devons un coq \u00e0 Ascl\u00e9pios. \u00bb Ascl\u00e9pios est le dieu de la m\u00e9decine, et l&rsquo;on offrait un coq pour remercier d&rsquo;une gu\u00e9rison. Socrate remercie donc le m\u00e9decin de l&rsquo;avoir gu\u00e9ri, et Nietzsche en conclut qu&rsquo;il s&rsquo;agit de gu\u00e9rir de la vie elle-m\u00eame. Voil\u00e0 un philosophe qui r\u00e8gle sa derni\u00e8re consultation en remerciant le praticien de l&rsquo;avoir d\u00e9barrass\u00e9 de l&rsquo;existence, ce qui est une gu\u00e9rison radicale, mais difficile \u00e0 recommander dans un cabinet de ville.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">On comprend alors le renversement. Si la philosophie de Socrate, la musique de Wagner ou la po\u00e9sie d&rsquo;un autre sont des rem\u00e8des, il faut se demander quelle souffrance elles traitent. Nietzsche pose une question de pharmacien : pour quel patient, et \u00e0 quelle dose ?<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Les Grecs avaient d&rsquo;ailleurs un mot qui dit tout. <em>Pharmakon<\/em> d\u00e9signe \u00e0 la fois le rem\u00e8de et le poison, et Derrida en a tir\u00e9 toute une lecture de Platon dans \u00ab La Pharmacie de Platon \u00bb. La phrase de Nietzsche h\u00e9rite de cette ambigu\u00eft\u00e9. Tout art soigne, et tout art peut empoisonner, selon le malade et la posologie. Il faudrait la faire figurer en t\u00eate de chaque mus\u00e9e, avec la mention \u00ab tenir hors de port\u00e9e des enfants et des romantiques \u00bb.<\/span><\/p>\n<h2 style=\"font-weight: bold;\"><span class=\"ez-toc-section\" id=\"ii-deux-souffrances-deux-officines-dionysos-contre-bayreuth\"><\/span>II. Deux souffrances, deux officines : Dionysos contre Bayreuth<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">La formule porte sur la \u00ab vie ascendante \u00bb et la \u00ab vie d\u00e9clinante \u00bb, et c&rsquo;est l\u00e0 que le texte devient redoutable. Nietzsche d\u00e9veloppe ici une distinction qu&rsquo;on trouve d\u00e9j\u00e0 au \u00a7 370 du <em>Gai Savoir<\/em> : il y a deux sortes de souffrants.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><strong>Ceux qui souffrent de surabondance de vie.<\/strong> Ils ont trop de force, trop de tension, et ils veulent un art dionysiaque, un regard tragique sur l&rsquo;existence. Ils ne cherchent pas \u00e0 fuir la douleur, ils la prennent comme condiment. C&rsquo;est ce que Nietzsche, dans la pr\u00e9face de 1886 \u00e0 <em>La Naissance de la trag\u00e9die<\/em>, appelle un pessimisme de la force : les Grecs, dit-il en substance, \u00e9taient assez robustes pour regarder l&rsquo;horreur en face et en faire du th\u00e9\u00e2tre.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><strong>Ceux qui souffrent d&rsquo;appauvrissement de vie.<\/strong> Ils sont fatigu\u00e9s, ils veulent du repos, du silence, de l&rsquo;apaisement, ou \u00e0 d\u00e9faut de l&rsquo;ivresse, de la convulsion, de l&rsquo;anesth\u00e9sie par le sublime. Le romantisme, selon Nietzsche, est l&rsquo;art de ces malades, et Schopenhauer en est le m\u00e9decin de chevet : sa philosophie prescrit la n\u00e9gation du vouloir-vivre comme on prescrit le repos complet.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Wagner est alors, \u00e0 ses yeux, le grand pharmacien de cette seconde officine. L&rsquo;aveu est dans <em>Nietzsche contre Wagner<\/em> m\u00eame, au chapitre \u00ab O\u00f9 j&rsquo;admire \u00bb : \u00ab Mes objections contre la musique de Wagner sont des objections physiologiques \u00bb, et plus loin, sans m\u00e9nagement : \u00ab Wagner rend malade. \u00bb Le diagnostic ne porte pas sur le contrepoint mais sur les effets : l&rsquo;acc\u00e9l\u00e9ration du pouls, l&rsquo;\u00e9puisement nerveux, le besoin d&rsquo;une dose suppl\u00e9mentaire. Qu&rsquo;on se souvienne que la <em>T\u00e9tralogie<\/em> occupe quatre soir\u00e9es, soit une quinzaine d&rsquo;heures, et que <em>Parsifal<\/em> propose une r\u00e9demption par la chastet\u00e9 apr\u00e8s plusieurs heures d&rsquo;assise sur un si\u00e8ge de bois. On a connu des cures plus br\u00e8ves, et des rem\u00e8des moins co\u00fbteux en places de parking.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">L&rsquo;ironie de l&rsquo;affaire est que Nietzsche admire Wagner, et le dit au m\u00eame endroit : voici, \u00e9crit-il, un musicien sans \u00e9gal pour trouver les accents de la souffrance, des oppressions et des tortures de l&rsquo;\u00e2me, et pour pr\u00eater un langage \u00e0 la d\u00e9solation muette. C&rsquo;est exactement ce qui fait de lui un empoisonneur redoutable, car il conna\u00eet la douleur de son patient mieux que personne, et c&rsquo;est avec cette connaissance qu&rsquo;il pr\u00e9pare la potion. Un charlatan est inoffensif parce qu&rsquo;on ne le croit pas. Un g\u00e9nie est dangereux parce qu&rsquo;on le croit.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Reste le mot \u00ab antipodes \u00bb. Au sens strict, les antipodes sont ceux dont les pieds sont oppos\u00e9s aux n\u00f4tres, mais ils marchent sur la m\u00eame plan\u00e8te. Nietzsche et Wagner ont donc la m\u00eame Terre sous les pieds, la m\u00eame vie, et deux directions oppos\u00e9es : l&rsquo;une qui monte, l&rsquo;autre qui descend.<\/span><\/p>\n<h2 style=\"font-weight: bold;\"><span class=\"ez-toc-section\" id=\"iii-les-limites-de-la-posologie-peut-on-juger-une-oeuvre-a-son-bulletin-de-sante\"><\/span>III. Les limites de la posologie : peut-on juger une \u0153uvre \u00e0 son bulletin de sant\u00e9 ?<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Le crit\u00e8re m\u00e9dical a de quoi s\u00e9duire, il est pourtant expos\u00e9 \u00e0 trois objections s\u00e9rieuses.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><strong>1. Le m\u00e9decin est un malade.<\/strong> Nietzsche juge Wagner sur sa physiologie alors que la sienne est catastrophique. L&rsquo;objection est \u00e9vidente, et il l&rsquo;a pr\u00e9vue : dans <em>Ecce Homo<\/em>, il se dit \u00e0 la fois d\u00e9cadent et son contraire, parce que sa longue maladie lui a donn\u00e9 une perspective sur la sant\u00e9, et sa sant\u00e9 retrouv\u00e9e une perspective sur la maladie. Le philosophe est un patient chronique qui a appris \u00e0 lire ses propres analyses. L&rsquo;\u00e9vangile dit \u00ab M\u00e9decin, gu\u00e9ris-toi toi-m\u00eame \u00bb, et Nietzsche r\u00e9pond, par son \u0153uvre enti\u00e8re : \u00ab J&rsquo;y travaille, laissez-moi finir ma phrase. \u00bb<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><strong>2. La d\u00e9cadence est parfois f\u00e9conde.<\/strong> Si les \u0153uvres des malades \u00e9taient toutes malades, la litt\u00e9rature serait un h\u00f4pital. Nietzsche le sait, qui admire Wagner au moment m\u00eame o\u00f9 il le d\u00e9nonce. Le crit\u00e8re de la vie ascendante n&rsquo;est donc pas un verdict esth\u00e9tique mais une question d&rsquo;usage : une \u0153uvre peut \u00eatre magnifique et, pour tel lecteur \u00e0 tel moment, d\u00e9conseill\u00e9e. C&rsquo;est la diff\u00e9rence entre juger la qualit\u00e9 d&rsquo;un vin et conseiller un verre \u00e0 quelqu&rsquo;un qui conduit.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><strong>3. L&rsquo;objection kantienne.<\/strong> Pour Kant, le jugement de go\u00fbt est d\u00e9sint\u00e9ress\u00e9, et le beau pla\u00eet sans que l&rsquo;on d\u00e9sire l&rsquo;objet. Nietzsche, au \u00a7 6 de la troisi\u00e8me dissertation de la <em>G\u00e9n\u00e9alogie de la morale<\/em>, lui oppose Stendhal, pour qui le beau est une \u00ab promesse de bonheur \u00bb. Devant la m\u00eame statue, Kant se tient \u00e0 distance respectueuse, tandis que Stendhal voudrait d\u00e9j\u00e0 organiser le d\u00eener. Selon Nietzsche, un art sans int\u00e9r\u00eat ne se rencontre que chez les philosophes qui ne sortent jamais, et tout art est une mani\u00e8re d&rsquo;agir sur la vie de celui qui le re\u00e7oit.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Cette th\u00e8se n&rsquo;est pas qu&rsquo;une curiosit\u00e9 d&rsquo;\u00e9rudit : nous l&rsquo;appliquons chaque jour sans le savoir. Nous disposons de listes de lecture \u00ab motivation \u00bb, \u00ab pluie sur la vitre \u00bb ou \u00ab rupture : version dramatique \u00bb, et l&rsquo;art-th\u00e9rapie est entr\u00e9e \u00e0 l&rsquo;h\u00f4pital. Nietzsche demanderait seulement qui prescrit quoi \u00e0 qui, et si le rem\u00e8de entretient la maladie. Une playlist de tristesse \u00e9cout\u00e9e en boucle fait de la tristesse une habitude.<\/span><\/p>\n<h2 style=\"font-weight: bold;\"><span class=\"ez-toc-section\" id=\"conclusion-pour-une-pharmacie-qui-sache-danser\"><\/span>Conclusion : pour une pharmacie qui sache danser<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">La phrase de <em>Nietzsche contre Wagner<\/em> ne propose pas un art utilitaire, au service de la sant\u00e9 comme d&rsquo;un minist\u00e8re. Elle remplace la question \u00ab qu&rsquo;est-ce que le beau ? \u00bb par \u00ab pour quelle vie, et contre quelle souffrance ? \u00bb, et elle oblige chacun \u00e0 avouer \u00e0 quelle vie il veut contribuer. Elle invite aussi \u00e0 ne jamais s\u00e9parer une \u0153uvre de ses effets, ni un penseur de son corps.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">Elle nous met enfin en garde contre un risque d&rsquo;\u00e9l\u00e9gance : celui d&rsquo;un philosophe qui, fatigu\u00e9, prendrait sa fatigue pour une v\u00e9rit\u00e9. C&rsquo;est peut-\u00eatre l\u00e0 le sens ultime du rem\u00e8de nietzsch\u00e9en : savoir rire. \u00ab Je ne saurais croire qu&rsquo;en un dieu qui s&rsquo;entendrait \u00e0 danser \u00bb, \u00e9crit Zarathoustra, et l&rsquo;on voit mal comment on danse avec un trait\u00e9 de m\u00e9taphysique sous le bras. L&rsquo;humour est un contre-poison \u00e0 l&rsquo;esprit de pesanteur.<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 18px;\">On peut donc conclure par une ordonnance modeste, que Nietzsche signerait probablement en grommelant : lire Nietzsche en entier, \u00e9couter Wagner \u00e0 doses hom\u00e9opathiques, et rire du r\u00e9sultat. Les antipodes finissent toujours par se retrouver, il suffit de faire le tour de la Terre.<\/span><\/p>\n<\/td>\n<\/tr>\n<tr>\n<td style=\"width: 100%;\">\n<h2><img loading=\"lazy\" decoding=\"async\" class=\"size-large wp-image-43055 aligncenter\" title=\"Le Vol d'une Nuit - planche 8\" src=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-8-1024x300.jpg\" alt=\"Le Vol d'une Nuit - planche 8 : composition num\u00e9rique \u00e0 partir de quarante images\" width=\"1024\" height=\"300\" srcset=\"https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-8-1024x300.jpg 1024w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-8-460x135.jpg 460w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-8-768x225.jpg 768w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-8-250x73.jpg 250w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-8-150x44.jpg 150w, https:\/\/frank-lovisolo.fr\/WordPress\/wp-content\/uploads\/2012\/08\/Planche-VDN-8.jpg 1440w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/h2>\n<h2 style=\"font-weight: bold;\"><span class=\"ez-toc-section\" id=\"bibliographie-liens-actifs\"><\/span>Bibliographie (liens actifs)<span class=\"ez-toc-section-end\"><\/span><\/h2>\n<p><strong>Textes de Nietzsche<\/strong><\/p>\n<ul>\n<li>Nietzsche, <em>Nietzsche contre Wagner<\/em>, trad. H. Albert (Mercure de France) : <a href=\"https:\/\/fr.wikisource.org\/wiki\/Nietzsche_contre_Wagner_(traduction_H._Albert)\" target=\"_blank\" rel=\"noopener noreferrer\">fr.wikisource.org<\/a><\/li>\n<li>Nietzsche, <em>Le Gai Savoir<\/em>, trad. H. Albert, 1901 : <a href=\"https:\/\/fr.wikisource.org\/wiki\/Le_Gai_Savoir\" target=\"_blank\" rel=\"noopener noreferrer\">fr.wikisource.org<\/a><\/li>\n<li>Nietzsche, <em>Le Cr\u00e9puscule des Idoles<\/em>, trad. H. Albert : <a href=\"https:\/\/fr.wikisource.org\/wiki\/Le_Cr%C3%A9puscule_des_Idoles\" target=\"_blank\" rel=\"noopener noreferrer\">fr.wikisource.org<\/a><\/li>\n<li>Nietzsche, <em>Ainsi parlait Zarathoustra<\/em>, trad. H. Albert, \u00e9d. 1898 : <a href=\"https:\/\/fr.wikisource.org\/wiki\/Ainsi_parlait_Zarathoustra_(%C3%A9dition_1898)\" target=\"_blank\" rel=\"noopener noreferrer\">fr.wikisource.org<\/a><\/li>\n<li>\u0152uvres de Nietzsche au Mercure de France, dont <em>La Naissance de la trag\u00e9die<\/em> et <em>La G\u00e9n\u00e9alogie de la morale<\/em> : <a href=\"https:\/\/fr.wikisource.org\/wiki\/%C5%92uvres_de_Fr%C3%A9d%C3%A9ric_Nietzsche_au_Mercure_de_France\" target=\"_blank\" rel=\"noopener noreferrer\">fr.wikisource.org<\/a><\/li>\n<li>Nietzsche, <em>The Case of Wagner \/ Nietzsche contra Wagner<\/em> (version anglaise, domaine public) : <a href=\"https:\/\/www.gutenberg.org\/ebooks\/25012\" target=\"_blank\" rel=\"noopener noreferrer\">gutenberg.org<\/a><\/li>\n<\/ul>\n<p><strong>R\u00e9f\u00e9rences compl\u00e9mentaires<\/strong><\/p>\n<ul>\n<li>\u00ab Nietzsche contra Wagner \u00bb, notice : <a href=\"https:\/\/en.wikipedia.org\/wiki\/Nietzsche_contra_Wagner\" target=\"_blank\" rel=\"noopener noreferrer\">en.wikipedia.org<\/a><\/li>\n<li>\u00ab Friedrich Nietzsche \u00bb, notice : <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Friedrich_Nietzsche\" target=\"_blank\" rel=\"noopener noreferrer\">fr.wikipedia.org<\/a><\/li>\n<li>\u00ab Richard Wagner \u00bb, notice : <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Richard_Wagner\" target=\"_blank\" rel=\"noopener noreferrer\">fr.wikipedia.org<\/a><\/li>\n<li><em>Stanford Encyclopedia of Philosophy<\/em>, \u00ab Friedrich Nietzsche \u00bb : <a href=\"https:\/\/plato.stanford.edu\/entries\/nietzsche\/\" target=\"_blank\" rel=\"noopener noreferrer\">plato.stanford.edu<\/a><\/li>\n<li><em>Internet Encyclopedia of Philosophy<\/em>, \u00ab Friedrich Nietzsche \u00bb : <a href=\"https:\/\/iep.utm.edu\/nietzsch\/\" target=\"_blank\" rel=\"noopener noreferrer\">iep.utm.edu<\/a><\/li>\n<\/ul>\n<p><strong>Ouvrages papier (sans lien libre)<\/strong><\/p>\n<ul>\n<li>Jacques Derrida, \u00ab La Pharmacie de Platon \u00bb, dans <em>La Diss\u00e9mination<\/em>, Seuil, 1972.<\/li>\n<li>Gilles Deleuze, <em>Nietzsche et la philosophie<\/em>, PUF, 1962.<\/li>\n<li>Nietzsche, <em>\u0152uvres<\/em>, Flammarion (\u00ab Mille &amp; une pages \u00bb), pr\u00e9face de Patrick Wotling.<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<h2 style=\"padding-left: 80px;\"><span class=\"ez-toc-section\" id=\"plus\"><\/span><strong>Plus\u00a0<\/strong><span class=\"ez-toc-section-end\"><\/span><\/h2>\n<ul>\n<li style=\"list-style-type: none;\">\n<ul>\n<li>\n<div style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><a style=\"text-align: justify; font-family: inherit;\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/atheisme-histoire-religions-science-ia\/\" target=\"_blank\" rel=\"noopener\">Ath\u00e9isme : histoire, religions, science, IA, humour et th\u00e9i\u00e8re.<\/a> L&rsquo;ath\u00e9isme une br\u00e8ve histoire de ceux qui n&rsquo;y croyaient pas (et qui dormaient tr\u00e8s bien)<\/span><\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div><span style=\"font-size: 20px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/une-reflexion-sur-lart-contemporain\/\" target=\"_blank\" rel=\"noopener\"><span style=\"font-size: 18px;\">L\u2019\u0153uvre face au bruit du monde<\/span><\/a><span style=\"font-size: 18px;\"> :<br \/>\n<\/span><\/span><\/div>\n<div><span style=\"font-size: 18px; font-family: inherit;\">Une r\u00e9flexion sur l\u2019art contemporain, la libert\u00e9 de cr\u00e9ation, le march\u00e9 de l\u2019art et la puissance des \u0153uvres qui r\u00e9sistent au temps et aux modes.<\/span><span style=\"font-size: 18px;\"><br \/>\n<\/span><\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div><span style=\"font-size: 18px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/enceinte-bluetooth-a-la-plage\/\" target=\"_blank\" rel=\"noopener\">Sea, Shit and Sound<\/a> :<br \/>\n<\/span>\u00ab C&rsquo;est L&rsquo;Enceinte \u00e0 la Plage, aou cha-cha-cha \u266a\u266b\u266b\u266a \u00bb<\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div><span style=\"font-size: 18px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/la-tyrannie-lexperience-visuelle\/\" target=\"_blank\" rel=\"noopener\">La tyrannie du smartphone sur l&rsquo;exp\u00e9rience visuelle<\/a> : Ces rectangles minuscules, ces fen\u00eatres \u00e9troites sur le monde, o\u00f9 l&rsquo;on entasse, compacte, d\u00e9forme, ce qui fut con\u00e7u pour respirer, pour s&rsquo;\u00e9tendre, pour exister dans l&rsquo;espace.<\/span><\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div><span style=\"font-size: 18px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/leloge-de-la-couleur-vive\/\" target=\"_blank\" rel=\"noopener\">L&rsquo;\u00c9loge de la couleur vive<\/a> : Essai bref sur la saturation comme acte philosophique.<br \/>\n<\/span><\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div><span style=\"font-size: 18px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/heure-bleue-et-doree-en-photographie\/\" target=\"_blank\" rel=\"noopener\">Heure bleue et dor\u00e9e en photographie<\/a> : sublimer les images&#8230;<br \/>\n<\/span><\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div><span style=\"font-size: 18px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/lart-sous-controle\/\" target=\"_blank\" rel=\"noopener\">Quand l&rsquo;\u00c9tat d\u00e9cide ce que l&rsquo;art doit dire<\/a> : L&rsquo;Art sous contr\u00f4le et cela n&rsquo;a rien d&rsquo;une \u0153uvre.<br \/>\n<\/span><\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div><span style=\"font-size: 18px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/philosophie-et-art-libertaire\/\" target=\"_blank\" rel=\"noopener\">Le Peuple Fant\u00f4me<\/a> de Frank C\u00e9sar Lovisolo<br \/>\n<\/span><\/div>\n<\/li>\n<li style=\"text-align: justify;\">\n<div style=\"text-align: justify;\"><span style=\"font-size: 18px;\"><a href=\"https:\/\/frank-lovisolo.fr\/WordPress\/visibilite-seo\/\" target=\"_blank\" rel=\"noopener noreferrer\">La douce tyrannie des algorithmes<\/a> : Il fut un temps o\u00f9 l&rsquo;on croyait, avec na\u00efvet\u00e9, qu&rsquo;Internet serait l&rsquo;agora universelle&#8230;<\/span><\/div>\n<\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<div><\/div>\n<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n","protected":false},"excerpt":{"rendered":"<p><span class=\"span-reading-time rt-reading-time\" style=\"display: block;\"><span class=\"rt-label rt-prefix\">Reading Time: <\/span> <span class=\"rt-time\"> 10<\/span> <span class=\"rt-label rt-postfix\">minutes<\/span><\/span>\u2026 <a class=\"continue-reading-link\" href=\"https:\/\/frank-lovisolo.fr\/WordPress\/le-vol-dune-nuit\/\">Suite &#8211; Continue reading<\/a><\/p>\n","protected":false},"author":1,"featured_media":43050,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_lmt_disableupdate":"no","_lmt_disable":"no","iawp_total_views":0,"_ogeeat_og_title":"","_ogeeat_og_description":"","_ogeeat_og_image":"","_ogeeat_tw_title":"","_ogeeat_tw_description":"","_ogeeat_tw_image":"","footnotes":""},"categories":[2084,1,16],"tags":[4568,2552,4566,4571,1525,1291,4565,1672,1904,4567,4573,1630,4114,4572,4070,4569,4570,1671],"class_list":["post-6404","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-libertaire","category-tous-les-articles","category-photographies","tag-art-et-philosophie","tag-art-numerique","tag-assemblage-numerique","tag-dionysiaque","tag-le-vol-dune-nuit","tag-nietzsche","tag-nietzsche-contre-wagner","tag-nous-autres-antipodes","tag-nus","tag-nus-photographiques","tag-pharmakon","tag-photographie","tag-photographie-experimentale","tag-richard-wagner","tag-schopenhauer","tag-vie-ascendante","tag-vie-declinante","tag-wagner"],"modified_by":"Frank C\u00e9sar LOVISOLO","_links":{"self":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts\/6404","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/comments?post=6404"}],"version-history":[{"count":2,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts\/6404\/revisions"}],"predecessor-version":[{"id":56768,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/posts\/6404\/revisions\/56768"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/media\/43050"}],"wp:attachment":[{"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/media?parent=6404"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/categories?post=6404"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/frank-lovisolo.fr\/WordPress\/wp-json\/wp\/v2\/tags?post=6404"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}