{"id":53575,"date":"2026-05-03T15:21:16","date_gmt":"2026-05-03T13:21:16","guid":{"rendered":"https:\/\/frank-lovisolo.fr\/WordPress\/?page_id=53575"},"modified":"2026-05-03T16:19:53","modified_gmt":"2026-05-03T14:19:53","slug":"reminiscences-musique-experimentale","status":"publish","type":"page","link":"https:\/\/frank-lovisolo.fr\/WordPress\/reminiscences-musique-experimentale\/","title":{"rendered":"R\u00e9miniscences"},"content":{"rendered":"Reading Time: <\/span> 6<\/span> minutes<\/span><\/span>
R\u00e9miniscences, musique exp\u00e9rimentale, musique concr\u00e8te, compositions sonores, sound design<\/span><\/div>\n\n\n\n
EASILY TRANSLATE \u21d2<\/strong><\/span><\/span><\/span><\/td>\n
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\"Frank-C\u00e9sar-Lovisolo\"<\/span><\/a><\/span><\/span><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n
r\u00e9miniscences<\/span><\/div>\n
<\/span>Musique Exp\u00e9rimentale, si on veut !<\/strong><\/span><\/h5>\n
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<\/span>ARTICLES<\/a><\/strong>\u00a0 \u00a0–\u00a0 \u00a0<\/strong><\/span>EXTRAITS<\/a><\/strong><\/span><\/span><\/h4>\n

<\/span>–\"R\u00e9miniscences<\/a><\/span><\/span><\/h4>\n

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\"Jacques-Emile<\/a>

Jacques-Emile Blanche<\/span><\/a>
Portrait de Marcel Proust 1892<\/span><\/p><\/div>\n

S<\/span>i l\u2019on se base sur la philosophie platonicienne, elle serait l\u2019ensemble des souvenirs acquis lors d\u2019une vie ant\u00e9rieure: ce que nous avons su avant notre naissance.<\/i><\/span><\/p>\n

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Ceci implique la croyance en l\u2019\u00e2me \u00e9ternelle, th\u00e9orie \u00e0 laquelle je n\u2019adh\u00e8re pas. Aristote d\u00e9signe \u00ab la m\u00e9moire volontaire \u00bb, une facult\u00e9 de rappeler volontairement les souvenirs.<\/span><\/div>\n
Descartes parlait d\u2019id\u00e9es inn\u00e9es.<\/span><\/div>\n
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Quand Proust<\/a> l\u2019\u00e9voque dans le Temps Retrouv\u00e9<\/a>, <\/i>c\u2019est ainsi qu\u2019il l\u2019\u00e9crit :<\/span><\/p>\n

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\u00ab… qu’il s’ag\u00eet (…) de\u00a0r\u00e9miniscences<\/b> comme celle de l’in\u00e9galit\u00e9 des deux marches ou le go\u00fbt de la madeleine, il fallait t\u00e2cher d’interpr\u00e9ter les sensations comme les signes d’autant de lois et d’id\u00e9es, en essayant de penser, c’est-\u00e0-dire de faire sortir de la p\u00e9nombre ce que j’avais senti…\u00bb<\/span><\/em><\/span><\/div>\n
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<\/a>ARTICLES<\/span><\/strong><\/p>\n

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1. Holodomor<\/a><\/strong> 11:52<\/span>
\n2. L’extatique Inconfort de la D\u00e9sob\u00e9issance<\/a><\/strong> 05:47<\/span>
\n3. RD 18 CD<\/a><\/strong> 11:13<\/span>
\n4. L\u2019Insoutenable bruyance de l\u2019Oc\u00e9an des non-dits<\/a><\/strong> 11:31<\/span>
\n5. Voyage en Cr\u00e2ne inconnu<\/a><\/strong> 10:33<\/span>
\n6. Les Murs Indiscrets<\/a><\/strong> 09:24<\/span>
\n7. R\u00e9miniscences<\/a><\/strong> 15:47<\/span><\/p>\n

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R\u00e9miniscences, musique exp\u00e9rimentale, musique concr\u00e8te, compositions sonores, sound design<\/span><\/p>\n\n\n\n\n
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<\/span><\/a>EXTRAITS<\/strong><\/span><\/span><\/h6>\n<\/td>\n
Holodomor<\/a><\/strong><\/span><\/td>\n\n
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